Nicole Kidman Gets Candid About Mortality: Wakes Up ‘Crying’

Nicole Kidman is baring her soul in regards to the realities of growing older, grief, and embracing life’s emotional depths.

Within the candid dialog, Kidman revealed that as she’s entered her 50s, she has grow to be extra attuned to her feelings, selecting to totally really feel them somewhat than shutting them off.

Now in her mid-50s, Nicole Kidman acknowledged that her emotions are “much more” uncooked and near the floor.

The 57-year-old “Babygirl” actress shared her heartfelt reflections in a brand new interview with GQ.

“Mortality. Connection. Life coming and hitting you,” she mentioned, describing the feelings she feels extra deeply than ever. “And [the] lack of dad and mom and elevating youngsters and marriage and all the issues that go into making you a completely sentient human. I’m in all of these locations. So life is, whew. It’s positively a journey.”

Kidman’s private life is intertwined with the themes she discusses. She shares daughters Sunday Rose, 16, and Religion Margaret, 13, together with her husband, nation star Keith Urban. She can also be mother to Bella, 31, and Connor, 29, whom she shares together with her ex-husband, Tom Cruise.

Reflecting on the influence of growing older and the inevitability of loss, Kidman shared how deeply these realizations have affected her. “And it hits you as you grow old how … it’s a get up at 3 a.m. crying and gasping form of factor,” she mentioned. “Should you’re in it and never numbing your self to it. And I’m in it. Absolutely in it.”

After turning 40, Nicole Kidman started to really feel the constraints of Hollywood’s age bias. She observed a decline within the roles she was keen about and feared she had reached the dreaded “age cutoff” that so many ladies within the trade face.

As an alternative of stepping away from appearing—a choice she admits she severely thought-about—Kidman took management of her profession by founding her personal manufacturing firm, Blossom Movies. Her objective was to create alternatives for herself and different feminine artists, together with writers, producers, and administrators, who may benefit from the paths she cast.

One in every of Blossom Movies’ earliest triumphs was “Huge Little Lies,” HBO’s critically acclaimed adaptation of Liane Moriarty’s novel. The sequence, centered on a gaggle of prosperous Monterey moms entangled in a homicide case, was a large success and set the stage for Kidman’s experience in adapting seashore reads into gripping TV dramas.

Since then, she has solidified her status because the queen of the “white coastal elite whodunnit” style, with hits like “The Undoing,” “9 Excellent Strangers” (2021), and “The Excellent Couple,” which topped Netflix’s world charts for weeks after its launch.

Reese Witherspoon is singing the praises of her longtime buddy and co-star Nicole Kidman, calling her a powerhouse each on and off-screen.

“Nicole is extremely well-read and actually understands learn how to match administrators to materials,” Reese Witherspoon, Kidman’s “Huge Little Lies” co-star and producer, mentioned. “She watches an unimaginable quantity of rising filmmakers’ work and could be very discerning about who she needs to work with. She’s additionally at all times prepared to tackle new challenges, notably roles that discover a novel expression of feminine identification.”

In a current Variety interview, Nicole Kidman addressed her want to work with acclaimed director Martin Scorsese, stating, “I’ve at all times mentioned I wish to work with [Martin] Scorsese, if he does a movie with girls.” The remark subtly identified the male-centric nature of a lot of Scorsese’s work, sparking discussions in regards to the lack of female-led narratives in his filmography.

Whereas Scorsese has helmed movies that includes robust feminine roles, reminiscent of “Alice Would not Stay Right here Anymore” (1974) and “Killers of the Flower Moon” (2023), nearly all of his initiatives give attention to male-driven tales.

Throughout a 2019 press conference in Italy, Martin Scorsese addressed longstanding criticism relating to the shortage of female-led narratives in his movies. The enduring director expressed his frustration over the repeated critiques, acknowledging the continued discourse about gender illustration in his physique of labor.

“That is not even a sound level,” he mentioned. “That goes again to 1970. That is a query that I’ve had for thus a few years. Am I imagined to? If the story does not name for it, then it is a waste of all people’s time. If the story requires a feminine character lead, why not?”