The Subsequent Nordic Know-how opponents strand of the Norwegian Film Pageant in Haugesund is the place a couple of of probably the most gifted expertise from the Nordics resembling Gustav Møller (“The Accountable”) or Katrine Brocks (“The Good Silence”) pitched their graduation films recently, sooner than making their worldwide breakthroughs.
This yr’s curated program of 10 graduation films from Nordic film schools may be showcased Aug. 21 in Haugesund, Norway.
The ten fast films had been chosen by a jury consisting of producer Elisa Fernanda Pirir of Stær Film, filmmakers Gunnbjörg Gunnarsdóttir (“Victoria Ought to Go”) and Fredrik S. Hana (“Code Title: Nagasaki”), in affiliation with program coordinator Christian Høkaas.
“Concern, confusion, darkish humor, vitality, nervousness and love. Anger, love, vitality. This yr’s slate provides loads of sturdy emotions, in-keeping with the Scandinavian customized of darkish humour and relationship drama,” said Pirir who’s liked the “playful and daring selection.”
Norway is out in drive with 5 fiction films, along with three graduation works from the distinguished Norwegian Film Faculty in Lillehammer.
“The Norwegian Film Faculty which is able to get further funding than completely different film schools in Norway, is able to enchantment to some of the most important actors, and manufacturing values are typically pretty extreme,” said Høkaas, referring to Sara Selmer Moland’s family drama “I Felt I Had To Be Proper right here” starring “Quisling-The Closing Days” lead Gard B. Eidsvold, primarily based totally on a script by “Skam” actor-turned scribe Tarjei Sandvik Moe, and Miljam S. Thorkelsdottir’s “Now Clap” starring Agnes Kittelsen (“Exit, “Fully glad, Fully glad”).
“Some faculty college students start their film coaching at completely different schools then come to the Norwegian Film Faculty to assemble up their occupation, as a result of it provides a direct hyperlink to the enterprise,” Høkaas outlined. Definitely, Thorkelsdottir and Tobias Klemeyer Smith, director of “Regardless of Metropolis”, first attended the Westerdals-Kristiana Faculty School in Oslo sooner than turning into a member of the Norwegian Film Faculty. Their two shorts vying in Haugesund flip an inquisitive eye on artistic creation.
For Høkaas, the Westerdals-Kristiana Faculty School has “moreover upped its top quality ranges recently, notably in story building and showing,” and Haugesund members will uncover two very good samples inside the refugee-focused “Mountains” by Iranian-born filmmaker Marzie and life-affirming “It’s Onerous to Be Iben” by Jakob Ramberg.
Finland’s long-standing Aalto ELO Film Faculty, former film teaching ground to Juho Kuosmanen, Marja Pyykkö and Zaida Bergroth, may be showcasing three very fully completely different works: the animated doc about motherhood “Confessions of Undecided Ladies” by Milja Härkönen, the current affairs documentary “As quickly as Upon a Recession” by Elias Kahla, and animated fast “Tape” by Hui Wing Ki Candace, impressed by the director’s private experience of rising up in a Hong Kong dwelling filled with plastic tape-repaired furnishings.
“”Tape” is the shortest work in our Subsequent Nordic Know-how slate, a novel poetic and emotional journey,” said Høkaas.
Within the meantime Ruben Östlund’s film college HDK Valand in Göteborg, Sweden, which evokes alumni to pursue their very personal cinematic ideas and methods, is bringing the father-son drama “Ana Wa Yak” by Hani Al-Abras and the hybrid “Sit, Play, Maintain” whereby Cecilie Flyge, a producing assistant on the acclaimed “Apolonia, Apolonia,” explores the superior love relationship between folks and canines.
“We’ve received a unbelievable variety of films, poetic, humorous and dramatic works, exploring quite a few themes, resembling grief, social variations, immigration or superior human dynamics seen by the use of the eyes of children. There is no such thing as a such factor as a shortage of expertise inside the Nordics,” summarised Høkaas.
Commenting on the noticeable absence of flicks from Denmark and Iceland, he said: “Yearly is totally completely different. We work hand in hand with the Nordic group of film schools Nordicil and it’s as a lot as the universities, part of the group, to submit a film – or not. This yr we’re sorry to not have initiatives from the Nationwide Film Faculty of Denmark, nevertheless before now, the varsity has collected fairly a couple of Subsequent Nordic Know-how awards, resembling remaining yr’s winner. “Norwegian Offspring” by Marlene Emilie Lyngstad who earned earlier a Cinef award in Cannes.
“Then Gustav Møller acquired the award in 2015 for his fast film “In Darkness” sooner than exploding on the world stage alongside together with his Danish Oscar submission “The Accountable. His latest film “Sons” will show at Haugesund’s Nordic Focus,” Høkaas underscored.
The winner of the right Subsequent Nordic Know-how Award and its NOK 20,000 ($1,900) cash prize sponsored by the cinema selling outfit Capa, may be launched Aug. 22. A breakdown of the 2024 Subsequent Nordic Know-how lineup:
“Ana Wa Yak” (15’, HDK-Valand, Sweden)
Written and directed by Hani Al-Abras
A younger portrayal of a strained father-and-son relationship. fashioned by exterior circumstances. “My storytelling usually touches on themes resembling alienation, exclusion, family and the suburbs, the place circumstances and circumstances normally usually are not usually represented in a nuanced method,” said Al-Abras.
Ana Wa Yak
“Confessions of Undecided Ladies” (20’, Aalto ELO Film Faculty, Finland)
Written and directed by Milja Härkönen
The animated fast documentary prompts the emotion,mother? says the logline. “I want to tell how superior the issue of duplicate is for many individuals women in our 30s,” said Härkönen whose core curiosity is “to understand completely different people’s realities and exploring human relationships and social factors though the fates of folks.”
Confessions of Undecided Ladies
“I Felt I Wanted to Be Proper right here” (29’, The Norwegian Film Faculty, Norway)
Directed by Sara Selmer Moland, written by Tarjei Sandvik Moe
Inside the warmth and humorous film, we observe a bunch of people on the wake of a youthful woman Vera (24) who has devoted suicide. The relations, mates and lovers acquire to have enjoyable her life. The question is can they mourn collectively, when all people sees Vera from a particular standpoint? “The reality that we’re capable of perceive a situation, and even life so in any other case fascinates me,” said Moland who studied philosophy sooner than turning to filmmaking. “One among my intentions with the film was to ask a chaos of conflicting narratives, whereas nonetheless offering some kind of conciliation.”
Actor Sandvik Moe of “Skam” fame, who merely graduated as scriptwriter from the Norwegian Film Faculty, said he was drawn to Moland’s enterprise “because of I observed the potential of using her premise as an allegory of instantly’s individualisation, polarisation, and devaluation of rituals. I moreover benefit from creating plenty of characters with incompatible values and seeing what happens after they’re pressured to be collectively.”
I Felt I Wanted to Be Proper right here
“It’s Onerous to Be Iben” (21’, Westerdals-Kristiania Faculty School, Norway)
Written and directed by Jakob Ramberg. Is life worth residing while you not have one thing to reside for? This nine-year-old has the reply!” runs the logline. Ramberg said his intention with the film was to find and accept all parts of ourselves, not merely the morally good.”
It’s Onerous to Be Iben
“Mountains” (22’, Westerdals-Kristiania Faculty School, Norway)
Directed by Marzie, written by Lars Johan Wisur Nivan and Zada, two Middle Japanese refugees meet by chance in an abandoned establishing in the midst of the forest in Croatia. Merely as they begin feeling hopeful, they’re met with a deadly downside alongside one of the best ways.
Iranian-born Marzie who arrived in Norway in 2013, said her private experience and the future of various political refugees, is what drives her as a storyteller.
Mountains
“Now Clap” (21’, The Norwegian Film Faculty, Norway)
Directed by Mirjam S. Thorkelsdottir, written by Kornelia Eline Skogseth
The story follows Renate, a theatre trainer who crosses the street and fights to keep up her occupation alive. When she begins getting resistance, she goes to extreme measures to battle her case. “My objective is to spark a broader debate about how far one can go for the sake of paintings, the place ought to those boundaries be drawn, and who defines them?”, said the Oslo-based Icelandic-Albanian filmmaker, all in favour of depicting “people who act exterior the norm and those who exist inside the grey areas.”
“As quickly as Upon a Recession” (24’, Aalto ELO Film Faculty, Finland)
Directed by Elias Kahla
Seen from a child’s standpoint, the documentary centres on Finland’s most dramatic financial catastrophe in its historic previous, inside the early Nineteen Nineties. “With this film, my intention was to level out how deep the scars of economic catastrophe or completely different catastrophes could possibly be, when expert by a child. By doing this film, I needed moreover to level out that these which can be nonetheless struggling with their childhood wounds, normally usually are not alone and that there’s hope,” Kahla said.
As quickly as Upon a Recession
“Sit. Play. Maintain” (13’,HDK-Valand, Sweden)
Written and directed by Cecilie Flyger Hansen
A former manufacturing assistant to Lea Glob on her multi-awarded documentary “Apolonia Apolonia”, Flyger Hansen works inside the grey area between fiction and actuality, specializing within the facility dynamics between folks and non-humans, particularly animals.
In her playful hybrid doc, canines have the lead roles in a theatre adaptation of “Snow White and the Seven Dwarves.” Snow White is carried out by a Collie, and the evil queen by an Australian Shepherd. “The rehearsals are a unbelievable and absurd interplay that highlights the power dynamics between human and animal. By the use of a canine’s point-of-view, we’re impressed to look once more at ourselves,” says the logline.
“TAPE” (6’,Aalto ELO Film Faculty, Finland)
Directed by Hui Wing Ki Candace
The poetic animated fast was impressed by the director’s private upbringing in a house in Hong Kong filled with plastic tape-repaired furnishings, embodying unpleasant recollections. “My animation normally tackles recollections and cultural id, to information the viewers into an emotional journey,” said the Helsinki-based animation specialist.
Tape
“Regardless of Metropolis” (28’, The Norwegian Film Faculty, Norway)
Directed by Tobias Klemeyer Smith, written by Camilla Pavlikova Sandland
The precept character Ida bumps into her outdated music coach from elementary college, an encounter which models off a journey by the use of city, introducing us to some peculiar characters alongside one of the best ways. The day’s curious events encourage her to make a film.
Winner of a most interesting film award for her debut fast “Stikk” on the 2021 Bergen Film Pageant, Klemeyer Smith performs with the traditional narrative constructions. ”I normally need films that reveal the persona of their creators over further traditionally well-told films. This film tells a story of good doubt, slight hubris and the fragility of artistic creation,” she said.
Regardless of Metropolis
