Super Bowl weekend is notoriously tough for cinemagoing however followers turned out and tuned in for music documentary live performance movie Becoming Led Zeppelin from Sony Footage Classics, which rocked the highest ten. A Complete Unknown and The Brutalist are holding. Neon noticed a bump for its Parasite re-release. Documentary No Other Land had a pleasant growth.
Long-gestating Becoming Led Zeppelin, an early model of which premiered at Venice in 2021, charged to greater than $2.6 million on 369 Imax screens and the no. 7 spot, the one indie within the high 10 this weekend.
That’s the most important ever opening weekend domestically for an Imax-exclusive music launch. Crowds are displaying love throughout North America with sturdy outcomes from each coasts in addition to markets like Toronto, Cleveland, St. Louis and Dallas.
Additionally from SPC, Walter Salles I’m Nonetheless Right here topping $1 million in week 4 on 704 screens, a giant growth from 93 final week, and Pedro Almodovar’s The Room Subsequent Door took $33.6k in week 8 on 52 screens. Each have a cume of simply over $2.3 million.
Bob Dylan biopic A Full Unknown held throughout 1,305 theatres in week 7 for a gross of $1.2 million and a cume of $69 million. The much-nominated movie (together with Oscar Greatest Image, Greatest Director, Greatest Main Actor) starring Timothee Chalamet is Searchlight Footage’ no. 6 highest grossing title, behind Sideways.
A24’s The Brutalist starring Adrian Brody is $914k on 1,115 screens for a home cume of $13.7 million. The distributor’s Babygirl is at $122.6k on 152 screens, closing on a $28 million cume.
Nosferatu from Focus Options is $275k this weekend at 467 places, for a cume of $95.3 million. It’s shut however nonetheless shy of Focus’ top-grossing movie, Downton Abbley
New releaees: A24 Parthenope by Paolo Sorrentino, debuted to $39.4k on 4 screens.’new launch this weekend. Armand, from IFC Movies, the function debut of Norwegian director Halfdan Ullman Tóndell and starring Renate Reinsve, opened to an estimated $23k on two screens.
Neon noticed $326k from its new this weekend re-release of Oscar Greatest Image-winner Parasite on 193 screens. That’s a cume of $59.7 million for Bong Joo ho’s 2019 indie smash.
Holdover Steven Soderberg’s Presence, additionally from Neon, has a $305k weekend on 586 screens in week 3 for a cume of $6.66 million. The distributor’s Oscar-nominated The Seed Of The Sacred Fig had a $31.5k weekend on 87 screens for a cume of $748k in week 11. And Sean Baker’s Cannes and DGA profitable and Oscar-nominated Anora is on 229 screens with a $57k weekend and a cume of $15.3 million in week 17.
No Different Land, the self-distributing Academy Award nominee for Greatest Documentary Function, added 15 further markets together with Los Angeles, Boston, Washington and Chicago with a choose growth within the New York space this weekend for a complete of twenty-two screens, a weekend gross of $96k and a cume to $144.6k. The doc by a collective of Palestinian and Israeli activists and filmmakers will proceed to broaden via February.
Recent off a giant evening on the Annie Awards (profitable for Greatest Function- Unbiased and Greatest Writing – Function), Sideshow/Janus Movies’ launch of Latvia’s Gints Zilbalodis’ two-time Academy Award-nominated Circulate grossed an estimated $96k this weekend on 161 screens for and a brand new cume of $4.07 million, turning into the distributor’s first launch to crack the $4 million field workplace mark.
Rialto Footage’ launch of the brand new 4K restoration of Jean-Luc Godard’s 1961 movie, A Lady Is A Lady, is estimated to gross $11k on the Movie Discussion board in New York Metropolis.
