A24’s Death of a Unicorn held its premiere at SXSW lately, and critiques for the movie are starting to come back in, with combined reactions to the chaotic horror comedy.
What are the Dying of a Unicorn critiques saying?
As of now, Dying of a Unicorn has debuted on Rotten Tomatoes with a 67% ranking primarily based on 21 critiques. The movie’s drawn combined emotions from critics, with some praising the film’s chaotic nature, whereas others observe that the familial drama side of it doesn’t fairly land.
In line with the Austin Chronicle’s Jessi Cape, the film won’t be something too particular, however is “two hours of frenzied unicorn carnage,” and a film that they describe as “a corny-horny blast.”
RogerEbert.com’s Brian Tallerico famous Jurassic Park influences, dubbing it “a narrative that Michael Crichton would have dug, one concerning the rich ignoring not solely the indicators in entrance of them however the historical past and the mythology of this world.”
At Variety, Peter Debruge stated the film matches effectively inside A24’s “bizart-house model,” and finally ends up being a “extremely eccentric and unapologetically grisly horror film.” In the meantime, Trace Sauveur at Paste made observe of the category commentary parts, writing, “it turns on the market’s a satisfying sense of schadenfreudian indulgence to watching a gaggle of wealthy a******s get what’s coming to them in a world the place that more and more doesn’t occur.”
Dying of a Unicorn is written and directed by Alex Scharfman. The movie is about to launch vast on March 28, 2025.
Alongside Ortega and Rudd, the movie will even star Will Poulter, Téa Leoni, Richard E. Grant, Anthony Carrigan, Sunita Mani, Jessica Hynes, and Steve Park. It’s government produced by Orterga, Rudd, Ari Aster, David Darby, Jacob Epstein, Nate Kamiya, and Michael Williams, with Tyler Campellone, Tim Headington, Drew Houpt, Lucas Joaquin, Lars Knudsen, Theresa Steele Web page, Barbara Reardon, Justin Reardon, and Alex Scharfman.
The inventive workforce additionally contains cinematographer Larry Fong and editor Ron Dulin, with composers Giosuè Greco and Dan Romer offering the music.
