The title “Sound Inside Sound” pertains to how I take into consideration a few of this music, the music created with different music, as Worlds Inside Worlds and Worlds Past… Expanded into Doable Realities. The principle flute and drum pattern is a second of André 3000 and Carlos Niño after they first picked up their devices to make sound to get ranges (throughout a 2022 session in Hollywood), as performed with my guitar later in my house studio in Tujunga.
I felt there was extra to discover with this motif that they had been enjoying, so I zoomed in on it, and created extra with it. I’m grateful to each of them for being supportive of me making extra music with our music. In my arrange I’ve a microphone, which is related to a sampler, which is managed by the guitar. When the group is enjoying one thing I wish to play, I can document what’s taking place within the room, drop it into the sampler, and play the sound of the group with the guitar. It maps to the fretboard so I can play it at any pitch and velocity. With this method, Something can turn into an instrument. All Doable Realities Are Out there. “Sound Inside Sound” is a model of a Doable Actuality. Actuality Expanded. I’m presently on tour in Europe with André and Carlos (and Deantoni and Surya), so it feels nice to introduce this new album with a chunk of music that includes two of my Touring artistic brothers.
