The twelfth version of the Madrid-hosted Platino Awards, honoring the best in Ibero-American movie and tv, noticed main wins for the Oscar-winning Brazilian movie I’m Nonetheless Right here, in addition to director Walter Salles and star Fernanda Torres (who weren’t in attendance). The evening additionally featured three accolades for Netflix’s Colombian serialized adaptation of One Hundred Years of Solitude, which took residence finest actor and supporting actor classes, in addition to finest tv collection general.
Different notable winners included Pedro Almodóvar’s The Room Subsequent Door, which clinched the unique rating and cinematography classes.
The Platino Awards adopted February’s Goya ceremony, which additionally noticed wins for the aforementioned tasks, along with different winners honored at present, together with El 47, La Infiltrada and Segundo Premio.
A standout from the night was additionally Eva Longoria’s acceptance of the Platinum of Honor Award for instance of Latin excellence in Hollywood, which led to uproarious applause from the viewers and a shock look by colleague and pal Sofía Vergara.
“I used to be born in Texas, I’m Mexican American, I carry Spanish blood in my veins, particularly from Asturias,” the Solely Murders within the Constructing and Determined Housewives star mentioned in her speech. “My soul is Mexican, I really like the connection between Mexico and Spain; it’s a really particular sisterhood that may be felt in each nook of this room. Since I started my profession in Hollywood in ’98, I’ve had the dream of proudly representing my roots and honoring Hispanic ladies particularly.”
See the total listing of Platino Award winners under:
Greatest Ibero-American Fiction Movie
I’m Nonetheless Right here — Walter Salles
Greatest Director
Walter Salles, I’m Nonetheless Right here
Greatest Feminine Efficiency
Fernanda Torres, I’m Nonetheless Right here
Greatest Ibero-American Miniseries or Tv Sequence
One Hundred Years of Solitude
Greatest Male Efficiency in a Miniseries or Tv Sequence
Claudio Cataño, One Hundred Years of Solitude
Greatest Supporting Male Efficiency in a Miniseries or Tv Sequence
Jairo Camargo, One Hundred Years of Solitude
Greatest Sequence Creator
Vicente Amorim, Fernando Coimbra, Luiz Bolognesi and Patrícia Andrade, Senna
Greatest Male Efficiency
Eduard Fernández, Marco
Greatest Supporting Feminine Efficiency
Clara Segura, El 47
Greatest Supporting Male Efficiency
Daniel Fanego, Kill the Jockey (posthumous, accepted by Manu Fanego)
Greatest Feminine Efficiency in a Miniseries or Tv Sequence
Candela Peña, The Asunta Case
Greatest Supporting Feminine Efficiency in a Miniseries or Tv Sequence
Carmen Maura, Land of Girls
Greatest Screenplay
Amelia Mora and Arantxa Echevarría, Undercover (La infiltrada)
Greatest Modifying Course
Victoria Lammers, Undercover (La infiltrada)
Greatest Documentary Characteristic
The Echo, Tatiana Huezo
Greatest Animated Movie
Black Butterflies, David Baute
Greatest First Movie
The Canine Thief, Vinko Tomicic
Greatest Ibero-American Comedy Movie
Idol Affair (Buscando a Coque), Teresa Bellón and César F. Calvillo
Greatest Cinema and Training in Values
Recollections of a Burning Physique, Antonella Sudasassi
Greatest Unique Rating
Alberto Iglesias, The Room Subsequent Door
Greatest Cinematography
Edu Grau, The Room Subsequent Door
Greatest Artwork Course
Eugenio Caballero and Carlos Y. Jacques, Pedro Páramo
Greatest Sound Course
Diana Sagrista, Alejandro Castillo, Eva Valiño, Antonin Dalmasso, Segundo Premio
